by Tash Fairbanks and Toby Wharton
3 January – 28 January 2012
"'Is dis where you’d put sniper?'
'Place da man wi’ da sub?'
'What you talkin’ ‘bout now?'
'In the war zone.'
'What war zone?'
'Dis is a war zone, ya get me? An’ we gotta take ‘em all out, see?'
The world premiere as part of the New Writing at the Finborough Theatre Season
THE ENTIRE RUN IS NOW COMPLETELY SOLD OUT
INCLUDING all the extra performances on
Wednesday, 25 January, Thursday, 26 January and Friday, 27 January 2012 at 3.00pm
For details of our Returns Policy, please click here
★★★★★ Five Stars WhatsOnStage
★★★★ Four Stars The Daily Telegraph
★★★★ Four Stars Time Out
Time Out Show of the Week and Critics’ Choice
Fog is about two families: one white and dysfunctional, the other black and aspiring. Fog and Lou were put into care as young children by their soldier father, Cannon, following the untimely death of their mother.
Ten years later, Cannon returns, expecting to reassemble his family around him. But he feels a stranger in this ‘new’ England of broken promises. And nothing could prepare him for the damage that abandonment and an inadequate care system has wreaked on his kids. He desperately tries to repair what has been broken, but is it all too little too late?
Fog is the world premiere of a stunning new play, a unique collaboration between a male actor in his 20s and an established female writer/performer in her 60s, directed by multi-award-winning writer/director Ché Walker.
About The Playwrights Tash Fairbanks and Toby Wharton
Playwright Tash Fairbanks was born in 1948. A writer, theatrical performer and playwright, she trained at E15 Acting School, and was a founder member of the lesbian feminist Siren Theatre Company in 1979. Her playwriting includes commissions for Theatre of Thelema, Women’s Theatre Group, Graeae, Theatre Centre, Charter Theatre Company and Siren Theatre Company with such works as Mama's Gone a Hunting (1980), Curfew (1982), From the Divine (1983), Now Wash Your Hands Please (1984), Pulp (1985), Hotel Destiny (1987) and Swamp (1989) which have toured extensively in UK, Holland, Germany and USA. Film includes Nocturne (Channel 4). Her published work includes Siren Plays (Taylor and Francis) and Fearful Symmetry (Onlywomen Press). Her work as an actor includes productions for Sidewalk Theatre, Gay Sweatshop, Theatre of Thelema and Siren Theatre Company, as well as receiving a nomination from Plays and Players for Best New Actress of the Year.
Playwright Toby Wharton was born in 1984 and trained at RADA. Acting for theatre includes Days of Significance (Royal Shakespeare Company), Ajax (Riverside Studios),Transient (Pleasance Edinburgh and Shunt Vaults Theatre), Home (Tristan Bates Theatre) and Shalom Baby (Theatre Royal Stratford East) as well as readings and workshops at the Royal Court Theatre, Young Vic Theatre, Soho Theatre and National Theatre Studio. Acting for film and television includes Postcode, Bashment, Silent Witness, The Bill and The Gates, a new sitcom for Sky 1. Fog is Toby’s first play.
About The Director Ché Walker
Director Ché Walker returns to the Finborough Theatre where he made his directorial debut with Achidi J's Final Hours in 2004 and where he directed the sell-out Etta Jenks, starring Daniela Nardini and Clarke Peters (2005). Other Theatre includes Been So Long (Young Vic and English Touring Theatre), Extended Family (Chichester Festival Theatre), The Glory of Living (BAC), Estate Walls, Little Baby Jesus (Oval House), Lovesong (English Touring Theatre and Edinburgh Fringe), Car Thieves (National Theatre Studio) and Dance for Me (Tricycle Theatre). Ché's writing includes Been So Long (The Young Vic and Royal Court Theatre), The Frontline (Shakespeare's Globe), Iphigenia (Southwark Playhouse), Flesh Wound (Royal Court Theatre), Crazy Love (Paines Plough), Car Thieves (National Theatre Studio), Carmen (Open Air Theatre), Dance For Me (Theatre Royal Stratford East) and Rootz Spectacular (Belgrade Theatre, Coventry). He is also writing the book for The Eighth, a new musical with music and lyrics by Paul Heaton of The Beautiful South for this year's Manchester International Festival as well as writing his own musical adaptation of The Bacchae with Arthur Darvill for English Touring Theatre. This year, Ché will direct the feature film adaptation of his original musical, Been So Long from his own screenplay for Greenacre Films/UKFC and is also developing an original television series with the BBC.
The Press on Director Ché Walker
"Fringe theatre is bristling with creativity and flare but is often overlooked. This seething mass of talent has risen to the surface at the Finborough with this transfixing production. Making his directorial debut, Che Walker creates a wonderfully tragic journey...this production is a triumph for all involved." Rob Speight, The Stage on Achidi J's Final Hours
"Che Walker’s poised production" Dominic Maxwell, Time Out on Achidi J's Final Hours
"This is, by some distance, the best play that I have seen this year. Bracing, intense and tragic, it is evidently based on real life events. It is compellingly, convincingly performed and succeeds in combining its political message with a tragedy caused by human foibles...The Finborough Theatre often stages plays with political points to make and, on this occasion, records a resounding success." Glen Baker, Morning Star on Achidi J's Final Hours
"This sensitive and highly effective production, Walker is acutely attuned...Walker, directing a persuasive cast...creates a dark and compelling onstage world." Sam Marlowe, The Times on Achidi J's Final Hours
"Superbly directed by Ché Walker...an exciting, darkly comic evening." Aleks Sierz, What’s On in London on Etta Jenks
"Ché Walker has revived it at the Finborough with great panache and a very strong cast." Philip Fisher, British Theatre Guide on Etta Jenks
"Ché Walker's spirited and thoroughly entertaining production" Robert Shore, Time Out on Etta Jenks
Blue Surge – Time Out Critics' Choice, **** Four Stars in Time Out, The Times, The Guardian, London Theatre Reviews, The Public Reviews, WhatsOnStage and Evening Standard.
"The direction is fluid and beautifully paced while the lights are carefully blended into the scenes… It is the Finborough at its best" Blanche Marvin, London Theatreviews on Blue Surge
"Ché Walker's intimate production is lit up by intelligent performances." Henry Hitchings, Evening Standard on Blue Surge
"Powerfully served...by Ché Walker’s direction...This is an evening of great theatre." Jeremy Kingston, The Times on Blue Surge
"Ché Walker's production hits exactly the right note of pained intimacy." Michael Billington, The Guardian on Blue Surge
The Press on Fog
“The Finborough is a Fringe theatre in a class of its own: last year's programme was so good that it was worth moving to West Brompton for...Its first new writing premiere of the year is a bruising lyrical short about teenagers in London whose quality and impact suggests that 2012 in London's only wine bar theatre, will be as impressive as it was in 2011.” Caroline McGinn, Time Out
“While most folks are still recovering from hangovers, the Finborough has been the first theatre in the country to get rolling with a premiere. Artistic director Neil McPherson has, since 1999, worked tirelessly to make this tiny fringe venue in Earl's Court a trove of high-calibre new plays as well as rediscovered gems. Note for 2013: McPherson really should be on the list for a New Year's honour.” Kate Bassett, The Independent on Sunday
“At the Finborough, on the outskirts of Chelsea in West London, hard-hitting Fog is selling out fast with its mixture of powerful acting and devastatingly pointed writing.” Martin Newman, Huffpost Culture
“A thumping, emotionally fraught and brilliantly written play.” Aleks Sierz, The Stage
"Funny, powerful and very, very real, it is also mesmerisingly sad.” Martin Newman, The Mirror
“A painful, promising play, raising the thorny issue of fatherless boys and of young care leavers and their difficulties.” Sarah Hemming, The Financial Times
“Aching and explosive.” Caroline McGinn, Time Out
“Emotionally devastating” Aleks Sierz, The Stage
“A stimulating, satisfying and stunning evening in the theatre.” Howard Loxton, British Theatre Guide
“A story that leaves you stunned by its violence, and its terrible sadness...Fierce and terrifying” Aleks Sierz, The Arts Desk
“A gripping new chamber play.” Kate Bassett, The Independent on Sunday
“Powerful acting and masterful writing put Britain's care system on trial in courageous new play.” Martin Newman, The Mirror
“The play's portrait of a social system that offers care but no protection leaves an uneasy aftertaste.” Michael Billington, The Guardian
“Opening in a week when housing benefit has been capped - a policy which will hit London's inner city where it hurts - 'Fog' is not only a subtle study of lives adrift: it is also a powerful warning about what happens to kids and parents when they don't have a home to call their own.” Caroline McGinn, Time Out
“Agonising and funny at the same time.” Paul Taylor, The Independent
“At its best, the language of the play feels like it’s been inhaled through a water pipe and then exhaled to the beat of drum ’n’ bass. It burns, it stings, it makes your blood tingle...there’s an intensity and a rush to the dialogue that gives the work its emotional punch...Fired up by this linguistic energy, Fog is sometimes frightening in its anger and desperation. Although it rushes along like a roach flushed down a plughole.” Aleks Sierz, The Arts Desk
“Tash Fairbanks and Toby Wharton’s new play is an interesting and unusual collaboration. Fairbanks is a founder member of the lesbian feminist Siren Theatre Company and Wharton is an actor who specialises in hard-hitting new work. She was born in 1948 - he was born in 1984.” Aleks Sierz, The Stage
“'Fog' is unique as a piece of new writing: I can't remember the last time a sixtysomething founder member of a lesbian feminist theatre group teamed up with a twentysomething actor to write a play, but Tash Fairbanks and Toby Wharton's benefits richly from the verve and faux-yardie argot of youth and the poignant wisdom of experience.” Caroline McGinn, Time Out
“A collaboration made in the vicinity of heaven.” Paul Taylor, The Independent
“A raw, punchy piece which suggests that Wharton is a talent we should watch out for.” Henry Hitchings, The Evening Standard
“The writers have an ear for language that captures Cannon’s more cockney London and the youngsters’ street talk with brilliant accuracy, yet keeping it penetrable for audiences unfamiliar with its vocabulary.” Howard Loxton, British Theatre Guide
“The dialogue continually bubbles with unpredictable comic life...A salutary corrective to the post-riots musings of David Starkey.” Paul Taylor, The Independent
“I hope to see and hear a lot more from author/actor Toby Wharton.” Paul Taylor, The Independent
“Like the writing, the acting in Fog is truly phenomenal, moving the audience from shock and tears to laugh-out-loud humour.” Amy Stow, WhatsOnStage
“The cast is brilliant throughout.” Carolin Kopplin, UK Theatre Network
“Swinging between loud-eye catching displays of bravado and subtle emotional turns, Wharton's performance is nothing short of riveting.” Martin Newman, The Mirror
“It's easy to walk out of Fog marvelling at the whirlwind performance of its lead actor Toby Wharton, but this production offers a good deal more with a perceptive take on Britain's broken-in-places society.” Martin Newman, The Mirror
“As Fog, Wharton’s nervy intensity plays off Victor Gardener’s brawny blokiness as Cannon perfectly, their scenes together have a real potency and an explosive dynamic.” Ian Foster, The Public Reviews
“Toby Wharton and Victor Gardener are outstanding as Fog and Cannon, totally convincing, with Benjamin Cawley’s gentle Michael in the same class.” Howard Loxton, British Theatre Guide
“Whilst perfectly cast all-round, Toby Wharton and Victor Gardener as Fog and Cannon respectively stand out” Amy Stow, WhatsOnStage
“Victor Gardener as his angry dad, Annie Hemingway as his roughly used sister, and Benjamin Cawley and Kanga Tanikye-Buah as a pair of high-flying black siblings offer strong support.” Michael Billington, The Guardian
“The excellent Victor Gardener.” Caroline McGinn, Time Out
“Excellently played by Victor Gardener.” Sarah Hemming, The Financial Times
“Che Walker’s sizzling and stunning production features utterly convincing performances from co-author Toby as Fog, Victor Gardener as his muscular father and Benjamin Cawley as the gentle Michael.” Aleks Sierz, The Stage
“Benjamin Cawley gives a sensitive and touching performance as Michael.” Carolin Kopplin, UK Theatre Network
“Annie Hemingway plays Lou with quiet intensity. She does not say a word in the one scene with her father but her body language and her eyes express everything.” Carolin Kopplin, UK Theatre Network
“Kanga Tanikye-Bush is vibrant and self-confident as Bernice.” Carolin Kopplin, UK Theatre Network
“Ché Walker’s sizzling production, on Georgia Lowe’s unyielding concrete slab of a set, features unforgettably powerful scenes from a thoroughly committed cast.” Aleks Sierz, The Arts Desk
“Ché Walker’s gripping production strips things to their bare bones and formalises the scene transitions with staccato lighting effects and harsh music that emphasise the reality of the playing.” Howard Loxton, British Theatre Guide
“Che Walker's cleverly heightened production jangles your nerves and twists your heart.” Paul Taylor, The Independent
“Che Walker's production also has a swift urgency and is vigorously acted.” Michael Billington, The Guardian
“Pumping, alienated urban yoof portraits are often the first base for new writing. But 'Fog' has a tenderness and subtlety - drawn out beautifully in Che Walker's rhythmic, observant production - which deepens its impact.” Caroline McGinn, Time Out
“Ché Walker's production – with a lone sofa in a raw concrete cell – is intimate, tender, terrifying, and occasionally funny.” Kate Bassett, The Independent on Sunday
“Georgia Lowe’s hard and bare set perfectly captures the story’s bleakness.” Aleks Sierz, The Stage
Audience Members on the Rehearsed Reading of Fog
"The dialogue is exquisite. It does more than simply jump off the page, it leaps out grabs you by the throat and smacks you around. A truly original well written piece that succeeds in doing what I always want from a good play. To learn. To think. To laugh. To cry. To feel." Roy Williams OBE, playwright.
"Beautifully pared down, the rhythms of life are really there. The writers have given a voice to those who have none." Jane Boston. Senior Lecturer and Head of International Voice, Central School of Speech and Drama.
"A vivid piece of writing, funny, sharp and intriguing." David Tucker, TV director.
"A play like this helps to dash the misconceptions that children get into the care system because of something they have done wrong. A moving experience to watch as the story unfolds and one that needs to be put there for the public to see." Pam Redican, Principal of Wings School, Cumbria and Nottinghamshire. Winner of the Pride of Britain Award for her dedication to the education and care of ‘difficult’ young people.
Theatre includes Sense (Hen and Chickens Theatre), Sticks and Stones (Old Red Lion Theatre), Dunsinane (Royal Shakespeare Company at the Hampstead Theatre), Dark Carnival (Old Vic Tunnels), Crossing The Line, Patterns of Grace (Hampstead Theatre), Who Let the Dogs Out (Soho Theatre), O.O.L.P.O.S.P, There is Nothing There (Oval House Theatre) and Other Voices (Rose Theatre, Kingston).
Television includes How TV Ruined Your Life and Flash Prank.
Radio includes Switching Lanes.
Trained at Lee Strasberg Institute, New York, and Webber Douglas. Theatre includes Macbeth, Miss Julie, Of Mice and Men, The Caretaker, Blood Wedding, Arturo Ui, Road, A Midsummer Night’s Dream, The Recruiting Officer, Europeans (Mercury Theatre, Colchester), Doorman (Theatre Royal, Plymouth), The Way of the World (Wilton's Music Hall), Bollywood Jane (West Yorkshire Playhouse), Macbeth (Belfast Festival at Queen’s), Blocked (Lyric Theatre, Belfast), The Taming of the Shrew (United States Tour), Enjoy (Theatre Royal Bath) and Biblical Tales (New End Theatre, Hampstead). Television includes Law and Order UK, Casualty, The Crux, Doctors, The Bill, Emmerdale and Murphy's Law. Film includes Fortune's Smile, Postcode, The Fourth Dimension and Doctor Surreal.
Trained at the Royal Academy of Dramatic Art. Theatre includes Richard III (Royal Shakespeare Company), Baghdad Wedding (Soho Theatre), She Stoops to Conquer (Birmingham Rep), Chauntecleer and Pertelotte (Old Red Lion Theatre and Brighton Fringe Festival), Breakfast at Tiffany's (Theatre Royal Haymarket), Mrs Reynolds and the Ruffian (Watford Palace Theatre), Love's Labour's Lost (Guildford Shakespeare Company),TS Eliot Exchange Project (Old Vic New Voices and Vineyard Theatre, New York) and The Syndicate (Chichester Festival Theatre).
Trained at Arts Educational Schools London. Theatre includes The Tempest (Orange Tree Theatre, Richmond), Sonnet Walk (Shakespeare’s Globe) and rehearsed readings of Fog (Lyric Theatre, Hammersmith) and 364 (The Lyric Lounge). Film includes English in Mind Level 4 and English in Mind Level 5. Radio includes Ethood advert.
3 January – 28 January 2012
Tickets and Times
|Saturday||3:00pm (from 14 January 2011)
Approximately 1 hour 30 minutes with no interval