by Philip King
6 August - 31 August 2019
There’s a devil inside you egging you on to put a stop to his happiness – and that’s why you’d want me to come away with you, isn’t it?.
The London Premiere
★★★★ Four Stars, Theatre Cat
★★★★ Four Stars, The Upcoming
★★★★ Four Stars, The Spy in the Stalls
★★★★ Four Stars, The Reviews Hub
★★★★ Four Stars, Breaking The Fourth Wall
OffWestEnd Award Winner Male Performance in a Supporting Role – John Sackville
OffWestEnd Award Nomination Female Performance in a Supporting Role – Patience Tomlinson
OffWestEnd Award Nomination Female Performance – Mia Austen
OffWestEnd Award Nomination Male Performance – Sebastian Calver
OffWestEnd Award Nomination – Production
The London premiere of Philip King’s 1970 play Go Bang Your Tambourine.
Young David Armstrong misses his mother. Following her death, he now lives alone in their North Country house, a devoted member of the Salvation Army.
But tongues start to wag when David advertises for a lodger, and good-hearted, attractive Bess, a local barmaid, moves in. But when David’s estranged Casanova of a father decides to move back in, uninvited and unwanted, the impossible situation quickly comes to a head…
Seen in London for the first time, Philip King’s touching domestic family drama is a new insight into the work of a classic British playwright.
About The Playwright Philip King
Playwright Philip King (1904-1979) was born in Yorkshire. Known as both playwright and actor, he is best known as the author of the classic 1944 farce See How They Run. He continued to act throughout his writing career, often appearing in his own plays. His other works include On Monday Next (1949), later filmed as Curtain Up (1952) starring Robert Morley, Margaret Rutherford and Kay Kendall; and Serious Charge (1956), which was also filmed in 1959 starring Anthony Quayle and Cliff Richard in his film debut. He also collaborated with other writers, most notable with Falkland Cary on Sailor Beware! (1955), filmed in 1956, and Big Bad Mouse (1964) for Eric Sykes and Jimmy Edwards.
About The Director Tricia Thorns
Director Tricia Thorns returns to the Finborough Theatre where she directed Imaginationship, Red Night and London Wall which subsequently transferred to the St James Theatre. She is Artistic Director of Two’s Company. Tricia began her career as an actor in the West End as part of John Neville’s company at the Fortune Theatre, after a Classics BA from Nottingham University. Direction includes Bodies, A Day by the Sea, The Fifth Column, The Cutting of the Cloth and What the Women Did (Southwark Playhouse), her own plays Breakfast on the Beach and Creation with casts of 40, (St Barnabas Church, Dulwich), A Hard Rain (Above the Stag Theatre), My Real War 1914-? (Trafalgar Studios and National Tour), The Searcher (Musical Futures at Greenwich Theatre), Forgotten Voices from the Great War (Pleasance London), Ex and Black ‘Ell (Soho Theatre), Twelfth Night (Dulwich Picture Gallery), Peer Gynt (Alleyn’s Theatre) and Passion Play 2000, a huge community play which she also wrote. As an actress, theatre includes End of Story (Chelsea Theatre), Harry and Me (Warehouse Theatre, Croydon), Façade (Dingley and Dulwich Festivals), A Kind of Alaska (Edinburgh, National Tour and USA Tour), Time's Up (Windsor Theatre Royal), The Libertine and The Man of Mode (Royal Court Theatre and Out of Joint Tour), Betrayal (Battersea Arts Centre and National Tour), Run For Your Wife (West End) and leading roles in theatres in Salisbury, Ipswich, Edinburgh, Liverpool, Guildford, Derby and many more. Television includes Dangerfield, A Touch of Frost, Keeping Up Appearances, The Darling Buds of May, The Bill, London’s Burning and Captives. Film includes The Turn of the Screw.
The Press on Go Bang Your Tambourine
“Another fascinating London premiere for Two’s Company and the Finborough…It draws you in all the way: what more do you want?” Libby Purves, Theatre Cat
“Compelling, concise, and heartbreaking…The audience is captivated throughout.” Miriam Sallon, The Spy in the Stalls
“Where does the Finborough Theatre find them, all those classics barely performed since the era in which they were written and only decades later making their London debuts in this tiny space above a pub in South West London. The latest discover from their bottomless treasure trove is Philip King’s 1970 play Go Bang Your Tambourine, appearing in the capital for the first time in a powerfully acted revival directed by Tricia Thorns…King’s play is another rare and valuable discovery by the Finborough; really where do they find them!” Maryam Philpott, The Reviews Hub
“Nicely observed domestic drama…A genuinely affecting portrait of grief and loneliness.” Tom Wicker, Time Out
“Written in 1970 by classic British playwright Philip King, Go Bang Your Tambourine is a captivating drama about domestic life.” Lora Maslenitsyna, The Upcoming
“A tale full of nuance, coiled intensity and honest contradiction.” Miriam Sallon, The Spy in the Stalls
“It’s the world of Alan Sillitoe and John Osborne, but far gentler.” Libby Purves, Theatre Cat
“The performances are excellent.” Lizzie Loveridge, Curtain Up
“The piece survives, in Tricia Thorns’ production, largely through the quality of the acting.” Michael Billington, The Guardian
“Quality performances from all the cast.” Howard, Loxton, British Theatre Guide
“Calver beautifully balances David’s damaged immaturity and intermittent emotional panics with a sweetness – and a struggling stubbornness – which show the man he might become…It’s a fine performance.” Libby Purves, Theatre Cat
“David Armstrong played very well by Sebastian Calver in his professional debut.” William Russell, ReviewsGate
“Sebastian Calver, who is making his professional debut here, is an actor to look out for.” Lizzie Loveridge, Curtain Up
“John Sackville is all bragging and sexual energy.” William Russell, ReviewsGate
“John Sackville, beaky and brisk and sleazily sexy.” Libby Purves, Theatre Cat
“Mia Austen has a touch of the young Billie Whitelaw as the big-hearted Bess.” Michael Billington, The Guardian
“Played with spirit by Mia Austen.” Maryam Philpott, The Reviews Hub
“A really lovely, explosively life-affirming performance from Mia Austen as Bess.” Libby Purves, Theatre Cat
“Mia Austen delights as Bess.” Lizzie Loveridge, Curtain Up “Patience Tomlinson is a delight.” William Russell, ReviewsGate
“Tricia Thorns’ production, and Alex Marker’s intimate front-room set, build a past world without caricature and with understanding.” Libby Purves, Theatre Cat
“Designer Alex Marker, whose meticulous set is a quiet joy.” Aleks Sierz, The Arts Desk
“There is, as so often at the Finborough, a superb set designed by Alex Marker.” William Russell, ReviewsGate
“The great critic of the 20th century Kenneth Tynan said of one of Philip King's playscripts that he had written "great suburban poetry". The Finborough is especially adroit at mining diamond plays which haven't been seen for decades. The perfectly pitched productions this pub theatre gives their discoveries will have excellent performances and direction, and the plays will resonate.” Lizzie Loveridge, Curtain Up
The Press on Philip King
“Authentic suburban poetry” Kenneth Tynan in The Observer on Sailor Beware!
“The essence of theatre” Michael Billington in The Guardian on See How They Run
The Press on Director Tricia Thorns
“Unearthing John Van Druten’s forgotten London Wall would have been enough, but helmer Tricia Thorns’ goes one better. Her beautifully judged, immaculately acted revival isn’t just theatrical archaeology, it’s a treat.” Variety on London Wall
“Thorns's production manoeuvres a cast of 10 with great skill around the tiny Finborough stage.” The Guardian on Red Night
“Tightly and fluidly directed by Tricia Thorns.” Time Out on What The Women Did
“A production so exact you can smell it. The thrill is in the documentary detail, marvellously realised in Tricia Thorns’ terrific production.” The Observer on The Cutting of the Cloth
“Tricia Thorns’s sensitive production.” Sunday Express on A Day By The Sea
“This production directed by Tricia Thorns could not be bettered” Reviewsgate on Bodies
Productions for Two’s Company include London Wall (St James Theatre), What The Women Did and Goodbye To All That (Southwark Playhouse).
Trained at Mountview Academy of Theatre Arts.
Theatre includes In the Jungle of Cities (Arcola Theatre), Pygmalion (The Old Vic and Hong Kong Arts Centre), Edmond (Theatre Royal Haymarket), Yours for the Asking, Mary Goes First and Once Bitten (Orange Tree Theatre, Richmond), Gaslight (English Theatre, Frankfurt), The New Inn (Shakespeare's Globe), The Pork Crunch and A Warwickshire Testimony (Pleasance London) and Lesbian Bathhouse (Edinburgh Festival).
Film includes Summer in February, Molly Moon: The Incredible Hypnotist and End of Love
Television includes Call the Midwife, Save Me, Doctors and Coconut.
Trained at East 15 Acting School.
This is Sebastian’s professional stage debut.
Theatre while training includes Romeo and Juliet, A Midsummer Night’s Dream, Immaculate, The Seagull, Cabaret and Summer Brave (East 15 Acting School).
Film includes Resting Love.
Radio includes Alice In Wonderland, The Moon That Night and Dolphin Therapy.
Productions for Two’s Company at the Finborough Theatre include Imaginationship.
Other productions for Two’s Company include A Day by the Sea and Goodbye To All That (Southwark Playhouse).
Trained at Webber Douglas Academy of Dramatic Art.
Theatre includes Richard III (Headlong and Bristol Old Vic), Absolute Hell (National Theatre), William Wordsworth (English Touring Theatre), An Inspector Calls (National Theatre), The Winslow Boy (Rose Theatre, Kingston), A Man For All Seasons (Theatre Royal Haymarket), Othello and Volpone (Royal Shakespeare Company), A Cloud in Trousers (Theatre Royal York and Southwark Playhouse), Plunder (Watermill Theatre, Newbury), Our Country’s Good and Cyrano de Bergerac (Nuffield Southampton Theatres, Southampton), Party (Arts Theatre) and Hamlet (Oxford Stage Company).
Film includes Misbehaviour, Into the Mirror, The Hoarder, Fossil, The Lost City Of Z, Hampstead, and The Wedding Date.
Television includes Genius: Einstein, The Crown, Royal Wives At War, Doctors, Casualty, House Of Anubis, The Secret of Crickley Hall, Dark Matters, Young John Paul II, The Sunday Night Project, Brief Encounter of an Ordinary Woman, Rosemary and Thyme, Midsomer Murders, The Royal, Heartbeat and The Bill
Productions For Two’s Company at the Finborough Theatre include Imaginationship.
Other productions for Two’s Company include Black ‘Ell, part of Forgotten Voices of the Great War (Pleasance London) and Goodbye To All That (Southwark Playhouse).
Trained at Guildhall School of Music and Drama.
Theatre includes She Stoops to Conquer (National Theatre), The Comedy of Errors (The Young Vic), Once A Catholic (Wyndham’s Theatre), The Norman Conquests (National Tour), Façade (National Portrait Gallery), The Heart of Things (Jermyn Street Theatre), A Tale That Is Told (Gatehouse Theatre and National Tour), Ring Round the Moon, You Never Can Tell, The Importance of Being Earnest and The Real Thing (Salisbury Playhouse).
Film includes The Wars and The Mannions.
Television includes Nanny, The Comic Strip, The Day Today, Friday and Saturday Night Armistice, In The Red and Shadowplay. Radio includes The Cherry Orchard, The Winter’s Tale, Othello, Proust: The Screenplay, Metamorphosis, A Dance to the Music of Time, Roots, Poetry Please, Austen, Sitwell Letters and This Sceptr’d Isle. Books at Bedtime include Christmas with the Savages, Paula and Gal Audrey. Books of the Week include Giving Up the Ghost and Five Tales of Victorian Norfolk.
She has twice been a member of The BBC Radio Drama Company.
Audio Books include over two hundred recordings including Charles Dickens: A Life, Wives and Daughters, A Glass of Blessings, Some Tame Gazelle, Robert Browning poetry, The Aeneid, A Train in Winter, Last Letters Home WW2, Waterslain Angels, Memory of Lies and The Carer.
6 August - 31 August 2019
Tickets and Times
Approximately two hours and forty minutes including two intervals of ten minutes.